Ooh, I didn’t expect to write THAT. I love it when I manage not to spoiler myself. –Steven Moffat
Emery and I write by email. We have two threads going at any given time: The chapter we’re working on, and what we call the back chat email. We use back chat to ask questions about something going on in the current scene, discuss future developments or just natter on about the project. A recent set of conversations went like this:
Emery: I know we were just going to do David and Chris’ POVs. And even though this is their story, Carver and Kieran have major roles in their lives. Or not. I dunno.
Grey: I agree, Carver and Kieran do have major roles in this. But for the most part, they are passive actors. They aren’t the ones having conflict in this, and if we use their point of view, aside from being too cluttered, I think it will take out some of the suspense, because they’ll both be pretty fine with it. We can get their POVs across through their interactions with Chris and David, or have something overheard if we really need more.
And then later:
Grey: And I can’t wait for Carver and Kieran to talk about this. They’re already going at it in my head. Not literally. Well, sort of.
Later still:
Emery: On another note, too bad we never really set up Carver/Kieran…because having both sneaking around on their respective partners with the other…
Grey: I have this whole scene where either Kieran goes after him or they run into each other in a bar where Carver is totally blitzed. Carver figures turn about is fair play and hits on Kieran who goes along with it, getting him all worked up until dropping him with a promise of getting better revenge.
And then:
Grey: CRAP!!!!! I just realized, we can’t do Kieran and Carver’s conversation!
Emery: I realized that the other day. We could always add POVs earlier–do Car sex from Carver’s, maybe this from Kieran’s?
Grey: We’re writing the scene no matter what. We can figure out the POV issue later, or use the C&K scene as a free read.
And THEN:
They did something neither one of us had even considered, making the whole issue moot and giving us a much better scene than what we had planned!
Writing is an organic, living thing. You can try to make it static with outlines and character blogs and all those writing gimmicks they tell you about in books and creative writing classes, but if you’re in it, writing away, trusting the characters and the plot and just letting it happen, they’ll take you places you never expected. Our characters do that to us all the time, so that even though we’re writing the book, in many ways it feels like we’re reading it for the first time as we write it. I can never wait for the next tag to see what’s going to happen next!